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ABOUT | PRESS

Anders Covert is ineffable, a genre defying, euphonious psychonaut. Hailing from the Pacific Northwest, his ethereal soundscapes are an amalgam of radically progressive counter culture, quantum psychics, cellular biology, lost REM cycles and Philip K. Dick. His Seattle psych noise duo Wehrwolve garnered acclaim from The Stranger, describing their sound as “...a harrowing journey, aswirl with phenomenally strange sounds, turbulent atmospheres, and odd rhythms... portals to alternate realities—or at least to altered mind states.”

Iconic venues The Josephine and The Rendezvous were staple sanctuaries for Wehrwolve’s performances. Wehrwolve played Hollow Earth Radio’s Magma Festival and Anders has since resonated at Barboza May 2018 as Quantum Eraser.

Quantum Eraser is Covert’s current solo project with EP “Time Doesn’t Exist” first released on 05/25/18 as a limited run of 50 CDs and digitally on Bandcamp. This EP is now available on Apple Music, Spotify and all major digital streaming platforms. Amidst the zombie apocalypse, Anders is building a recording studio and working on the debut full length album “Diosas Obscura” for Quantum Eraser to release fall/winter of 2020.

 

“ ...experimental and dissonant...a bit of music overload even with a sober mind. The vocals melodies are catchy in their way even though they are juxtaposed against the music itself.”

-Matt Jensen, Divide and Conquer Music.

 

“I love the Major Tom textures and opiated drive through space debris molasses and delightful stardust-overdosing imploding of Wehrwolve’s sound. Wehrwolve has probably just released my favorite progressive not at all indie pop but really catchy Seattle band of the year’s debut!”

-Chris Estey, Three Imaginary Girls.

 

“Excursion into the vast, enigmatic somethingness of space rock’s furthest reaches.”

-Dave Segal, The Stranger.

REVIEWS:

“T3MP0R41 F33db4CK” is the opening track and begins with an arpeggiated synth that sounds just about perfect for a sci-fi movie like Blade Runner. Once the percussion comes in, it gives the music an Industrial vibe but it rather quickly starts to mutate into a loose jazz beat. As the song progresses it definitely has a futuristic, neo-cyberpunk type quality that feels psychedelic and hyperreal. The vocals don’t quite feel like a lead. It seemed to be more like another element adding to the psychedelic swirl...  The lyrics are ambiguous and seem to paint the picture of absurdity in a David Lynch kind of way."

-Matt Jensen, 

divideandconquermusic.com

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